The CILIP Carnegie Nominations - 2010

This looks like such an exciting list! Maybe we institute a Carnegie Reading List and Review for the long list...hmmm...

Having re-read the long list, there are quite a few on here which we have already read and reviewed. I will link to those reviews from home later this weekend and highlight the books on here I have at home which I've not had a chance to read and then promptly read and review them!

Agard, John The Young Inferno
Publisher: Frances Lincoln ISBN: 9781845077693

Allen-Gray, Alison Lifegame
Publisher: OUP ISBN: 9780192728432

Almond, David Jackdaw Summer
Publisher: Hodder ISBN: 9780340881989

Anderson, Laurie Halse Chains
Publisher: Bloomsbury ISBN: 9780747598077

Anderson, R J Knife
Publisher: Orchard ISBN: 9781408303122

Ashley, Bernard Solitaire
Publisher: Usborne ISBN: 9780746081372

Bowler, Tim Bloodchild
Publisher: OUP ISBN: 9780192719805

Brennan, Sarah Rees The Demon's Lexicon
Publisher: Simon & Schuster ISBN: 9781847382894

Brooks, Kevin Killing God
Publisher: Puffin ISBN: 9780141319124

Burgess, Melvin Nicholas Dane
Publisher: Andersen Press ISBN: 9781842701812

Caldecott, Elen How Kirsty Jenkins stole the elephant
Publisher: Bloomsbury ISBN: 9780747599197

Cassidy, Anne The Dead House
Publisher: Hodder ISBN: 9780340932285

Chancellor, Henry The Remarkable Adventures of Tom Scatterhorn: The Museum's Secret
Publisher: OUP ISBN: 9780192720832

Christopher, Lucy Stolen

Publisher: Chicken House ISBN: 9781906427139

Creech, Sharon Hate That Cat
Publisher: Bloomsbury ISBN: 9780747595298

Crossley-Holland, Kevin Waterslain Angels
Publisher: Orion ISBN: 9781842556917

Dogar, Sharon Falling
Publisher: Chicken House ISBN: 9781905294695

Donaldson, Julia Running on the cracks
Publisher: Egmont ISBN: 9781405222334

Dowd, Siobhan Solace of the Road
Publisher: David Fickling ISBN: 9780385609715

Dowswell, Paul Auslander
Publisher: Bloomsbury ISBN: 9780747589099

Finn, Daniel Two Good Thieves
Publisher: Macmillan ISBN: 9780230737761

Fisk, Pauline Flying for Frankie
Publisher: Faber ISBN: 9780571236190

Forman, Gayle If I Stay
Publisher: Doubleday ISBN: 9780385616201

Gaiman, Neil The Graveyard Book
Publisher: Bloomsbury ISBN: 9780747569015

Golding, Julia Wolf Cry
Publisher: OUP ISBN: 9780192727619

Grant, Helen The Vanishing of Katharina Linden
Publisher: Puffin ISBN: 9780141325736

Hardinge, Frances Gullstruck Island
Publisher: Macmillan ISBN: 9781405055383

Hearn, Julie Rowan the Strange
Publisher: OUP ISBN: 9780192792150

Higgins, F E The Eyeball Collector
Publisher: Macmillan ISBN: 9780230532281

Hoffman, Mary Troubadour
Publisher: Bloomsbury ISBN: 9780747592518

Kennen, Ally Bedlam
Publisher: Marion Lloyd Books ISBN: 9781407103853

LaFleur, Suzanne Love, Aubrey
Publisher: Puffin ISBN: 9780141326870

Laird, Elizabeth The Witching Hour
Publisher: Macmillan ISBN: 9780230736795

Manning, Mick & Granstrom, Brita Tail-End Charlie
Publisher: Frances Lincoln ISBN: 9781845076511

Muchamore, Robert Brigands M.C.
Publisher: Hodder ISBN: 9780340989036

Ness, Patrick The Ask and the Answer
Publisher: Walker ISBN: 9781406310269

Newbery, Linda The Sandfather
Publisher: Orion ISBN: 9781842555484

Patterson, James Max
Publisher: Doubleday ISBN: 9780385614528

Peet, Mal Exposure
Publisher: Walker ISBN: 9781406306491

Perera, Anna Guantanamo Boy
Publisher: Puffin ISBN: 9780141326078

Philip, Gillian Crossing the Line
Publisher: Bloomsbury ISBN: 9780747599937

Pratchett, Terry Nation
Publisher: Doubleday ISBN: 9780385613705

Rai, Bali City of Ghosts
Publisher: Doubleday ISBN: 9780385611695

Reeve, Philip Fever Crumb
Publisher: Scholastic ISBN: 9781407102429

Riordan, James The Sniper
Publisher: Frances Lincoln ISBN: 9781845078850

Riordan, Rick Percy Jackson and the Last Olympian
Publisher: Puffin ISBN: 9780141382944

Sedgwick, Marcus The Kiss of Death
Publisher: Orion ISBN: 9781842551851

Sedgwick, Marcus Revolver
Publisher: Orion ISBN: 9781842551868

Strangolov, Lazlo Feather and Bone
Publisher: Walker ISBN: 9781406316605

Stroud, Jonathan Heroes of the Valley
Publisher: Doubleday ISBN: 9780385614016

Valentine, Jenny The Ant Colony
Publisher: HarperCollins ISBN: 9780007283590

Ward, Rachel Numbers
Publisher: Chicken House ISBN: 9781905294930

Whitley, David The Midnight Charter
Publisher: Puffin ISBN: 9780141323718

Wilson, Leslie Saving Rafael
Publisher: Andersen ISBN: 9781842709184

Some Personal Good News

I love this cover, for more than one reason...

Read the expounding of the good news on my new personal blog - http:lizdejager.co.uk .

Lou Anders Visits MFB and talks books

Lou and I have been chatting on and off for a while now, especially after I irrevocably fell in love with Matthew Sturges's novel: Midwinter. I convinced Lou to do an interview with us, which sort of became more of a guest blog, to be honest.

But, I'll rather let Lou tell you in his own words (with a few prompts from me:

How did Pyr come about?

The parent company, Prometheus Books, who incidentally have just celebrated their 40th birthday, wanted to get into fiction. As nonfiction publishers of a great deal of science, nature and philosophy texts, and long time friends of the late Isaac Asimov, Sir Arthur C Clarke, and Carl Sagan, they thought that science fiction would be a good match. They approached me in March of 2004 (I had been making a name for myself as a freelance anthology editor), and I came on board as the Editorial Director of Pyr (the name is the Greek word for "fire" and thus, a wonderful fit with the parent company's name and purpose).

We began by publishing about sixteen novels a year, mostly hardcover, mostly SF. Over the last four and a half years, we've transitioned into publishing mostly fantasy, mostly in trade paperback, and in the past year moved into both mass market paperbacks and ebooks. And the reception from the SF&F community has been tremendous. We hear continually from readers that they come to us when they want "more engrossing reads" and that while there isn't one subgenre or tone we specialize in, we nonetheless have a "brand-identity" of publishing higher quality books. We've heard this from readers, distributors, independent bookstores, and chain store buyers.

We are also frequently called out for the quality of our book covers (three were on the Chesley ballot this past summer, as was I as Art Director). We are also thrilled to have been on the Hugo ballot six times now in less than five years - once for novel, once for novelette, once for novella, and three times in the new Best Editor-Long Form category. So, basically, by the time we turn five this coming March, it will have already been a hell of a ride.

What exciting things are Pyr up to at the moment?

Currently, we are up to about 28 books a year, with the freedom to go beyond this when/if we can, and making a name for ourselves as a great place to read the "new, gritty fantasy" among other genres.

We're having a lot of success with authors like Joe Abercrombie, Tom Lloyd, and James Barclay in this area, as well as with urban fantasy authors like Justina Robson and Mark Chadbourn. Lately, I've been acquiring titles that I am thinking of as "post-steampunk," or rather, steampunk that has migrated out of Victorian settings into fantasy, urban fantasy, and other alternate historical settings. We'll have books in this category out in 2010 from Adrian Tchaikovsky, Mike Resick, Tim Akers, George Mann and the writing team of Clay and Susan Griffith.

What you are looking forward to in the future and can you tell us some gossip about your new and upcoming books?

Well, we've just come out with Paul McAuley's The Quiet War, a tremendous war/anti-war novel set a few hundred years from now and dealing with the conflicts between a Brazilian-led earth and the colonists around the moons of Saturn, as well as James Barclay's original Raven trilogy, making its US debut. We also have James Enge's This Crooked Way, the second of his (stand-alone but linked) novels about Morlock Ambrosius, son of Merlin, master of all magical makers, master swordsman, and bitterly dry drunk. This one is very, very much akin to the early S&S of authors like Fritz Leiber, or even Michael Moorcock, so think "episodic novel," (or that dreaded word fix-up), rather than a big doorstopper epic. But if you are a fan of Howard, Lieber, Moorcock, Moore, etc... this is the book for you.

On it's heels, we have Joel Shepherd's Sasha, the first in his A Trial of Blood & Steel quartet, a gritty, realistic fantasy that is steeped in politics and features a believably-invincible female protagonist. I say believably-invincible because she has studied a sort of swordsman's martial art (think Zen warrior monks) and brought it back to a culture still fighting with broadswords, so she's able to use momentum in a way no one around her can. But she's not Buffy. Her power is very grounded in what someone could *and could not* realistically accomplish, and as such I think she's a very important offering to a genre full of magically-empowered heroines.

We also have Mark Chadbourn's new Swords of Albion book, The Silver Skull, which is the first of his Elizabethean Spy novels featuring Will Swyfte, the Queen's front line of attack in the Cold War England finds itself in with Faerie. If you think Susanna Clarke meets Ian Fleming meets Patrick O'Brian, you aren't far wrong.

Let us know what you do and how you manage to do what you do i.e. blog, twitter, Pyr job, etc. without collapsing into a bundle of nerves.

I wish I knew. I'm pretty much running on all cylinders now, burning the candle at both ends, etc... Prometheus is a roughly 40 person company, and probably about 30 of them input in varying degrees in the production and distribution of every Pyr title, but I still do a hell of a lot of overseeing (as well as being the only one reading, acquiring, and art directing). These days, my job seems to divide into public speaking/online interviews (such as this and thank you very much) and pushing emails back and forth between departments. Actual reading ends up occupying a tiny corner of the day!

Which reminds me, I should be off...

**

Thanks stacks and bundles to Lou for taking time to chat to us. I'd like to point out the following link - http://www.pyrsf.com/SampleChapters.html - which is their Pyr Sample Chapters Blog and to be honest (and mercenary) aspiring writers can do worse than pop by there to check out how it's done.

Find out more about the SuperHuman Lou Anders and Pyr SF here www.pyrsf.com
and here www.louanders.com .

The Dresskeeper, Mary Naylus

Synopsis:

Playing Dressups Was Never More Dangerous! When 13-year-old Picky's Mum forces her to look after Gran, who has dementia, she is accidentally locked in Gran's dusty old attic. There she finds a chest full of old clothes, and tomboy Picky is forced to don what appears to be a ball-gown when the freezing night temperatures hit. As soon as the dress is pinned together, Picky is transported back to the year 1700, where a man who appears to know her as Amelia is trying to kill her. Managing to get the dress off just in time, Picky returns to the present with the dress covered in blood. Did the man kill the girl called Amelia? Will wearing the other dresses in the chest take her back in time too. And will she be in danger again should she try it?

Mary Naylus has created a memorable character in Picky (Penelope) Robson. Thirteen years old, Picky is mutinous and unhappy with her lot in life, having been born with frizzy hair, a lazy eye and big thighs, not only was she being bullied at school, her best friend Luce seems to think that the hottest guy in school is fancying her! She’s also feeling put upon by her mother who is forcing her to look after her Gran over the weekends as she’s suffering from dementia and the carer can’t look after her anymore. Could Picky’s life get any more rubbish?

Yes, in fact, it can. She gets locked in her Gran’s attic on her first weekend of Gran Watch and has to resort sleeping on top of old smelly clothes. The temperature drops and Picky decides to put on one of the frocks from the old chest and steps straight through into a nightmare where a man is trying to kill her – a man from another time, dressed strangely, calling her Amelia.

Picky’s a stubborn sort. And curious to find out what exactly this is all about because it certainly wasn’t a nightmare – it was real. The man did try to kill Amelia, the proof was the blood on the dress and on the attic floor.

As Picky blunders from one adventure after the next, figuring out who Amelia is, what era she lived in and who exactly it was that was trying to kill her, whilst trying to keep up the facade as herself in modern times, I was struck by how much hard work the author has put in to The Dresskeeper.

Picky’s voice remains true throughout the novel, her social awkwardness as herself in Amelia’s body is amusing with some truly cringeworthy moments as she makes mistakes over language and etiquette. Instead of alienating the reader, it serves to highlight how people lived in the 1700’s and how things have changed subsequently, hopefully for the better.

The Dresskeeper appears to be an unprepossessing novel but you had better be ready to have your nose bent out of joint because it is anything but. Picky is funny, to the point of laugh out loud funny, and fiercely protective of her small family, even if she thinks they are all nuts. She does her best to fix things for Amelia and to help those that she leaves behind in old London. Her character may be a bit brash on the outside, but she’s got a heart of gold. No. Seriously.

Mary Naylus did a wonderful job bringing 1700’s London to life, peppering a few famous people throughout the novel, to give it authenticity. It’s easy enough to believe that you may one day stumble across a box of old dresses that can magically transport you to another century, reading The Dresskeeper. Old London, its customs and its people and the social scene at the time is handled very deftly and it never becomes a lesson, or preachy, to its readers. This I genuinely appreciated.

The Dresskeeper is aimed at the 12+ audience but I’d be honest here to say that it can be read to a younger audience too as the language is quirky and fun and almost everyone will be able to relate to a slightly unhinged family life and embarrassing situations.

The Dresskeeper is published in November by Prospera Publishers.

Some Halloween Gingerbread Men Zombies

Apologies for the wrong way order, but start from the bottom up and check out the creation of our gingerbread zombie army.

Intestine trouble...

A few more with some erm..wound trouble..

Anyone for some green mucky things?

Longshot of our zombie army.

Army of glazed gingerbread men - soon to be zombiefied!

Gingerbread men getting their glaze on

Baked gingerbread men

Raw gingerbread men

Mark making the gingerbread mix.

**Scooperama** Alyson Noel Interview

We are very chuffed to bring you this unexpected treat! The Marketing Department over at Macmillan Children's Book sent this little interview along for your reading pleasure.

What did you do before you were a writer?

I worked as a New York City based flight attendant, travelling the world and working on my debut novel, Faking 19, during long weather delays and boring layovers—basically whenever and wherever I could find a free moment to spare!

Where do you do all your writing?

I have a home office where I pretty much hunker down in the morning and stay put all day—just like a “real” office job, only I go to work in my pyjamas!

Which of your characters do you most admire and why?

I really admire Ever for her strength. She was forced into this horrible situation—losing her family, burdened with psychic powers she doesn’t want—and has no choice but to navigate her way through a new life she really doesn’t understand, with no one to confide in. And though she makes some mistakes along the way, she always picks herself up and keeps going, determined to make amends, set things straight, and do the right thing. It’s a pretty tough gig that she’s got!

What’s next after you’ve completed the Immortals series?

I’m working on a new series now, set to debut in Fall 2010, that’ll feature Riley, (Ever’s ghostly sister), as she navigates her way through the afterlife. So far it’s been an absolute a blast to write and I’m really excited about it!

Loads of fans are making casting trailers for your books – if you could cast any actor-actress in the roles of your main characters, who would you choose?

Oh, I hate to admit it, but I am just terrible at this! I think because I can see the characters so clearly in my head, it’s hard for me to cast them with real live people. But I love seeing the reader’s choices, they’ve come up with some really good ones. A few have mentioned Ben Barnes for Damen, and I have to admit that he’s suitably dreamy!

What were your favourite books as a child?

I loved anything by Dr. Seuss, Charlotte’s Web by EB White was the first book that brought me to tears, and Judy Blume’s Are You There God? It’s Me, Margaret changed my life and inspired me to be a writer too!

Is living in the OC as glamorous as what we see on the TV in the UK?

Every time I see one of those shows I can’t help but wonder what I’m doing wrong. My OC, while undeniably beautiful, with one of the most gorgeous coastlines around, consists of pretty much the usual, real life stuff—grocery shopping, bill paying—nothing anyone would ever want to film!

If you could have dinner with any 3 people, dead or alive, who would they be and why?

Leonardo da Vinci because he was an absolute master of so many things, David Sedaris because he can make me laugh and cry in the space of a single paragraph, and Bono because, well, because I love him!

What TV show are you currently addicted to?

Dexter—it so brilliant I’m in awe! But I’m also loving Mad Men and True Blood too.

What are you reading at the moment?

The Encyclopaedia of Ghosts and Sprits—for research purposes!

Demon Princess - Reign or Shine by Michelle Rowen

Here's the blurb:

As if trying to fit in at a new school isn't stressful enough, sixteen-year-old Nikki Donovan just found out that her long-lost father is, in fact, the demon king of the Shadowlands—the world that separates and protects us from the Underworld. When she is brought there by the mysterious—and surprisingly cute—messenger Michael, she learns that her father is dying, and he wants her to assume the throne. To complicate matters, a war is brewing between the Shadowlands and the Underworld, her half-demon qualities are manifesting, and her growing feelings for Michael are completely forbidden. Ruling a kingdom, navigating a secret crush, and still making it home by curfew—what's a teenage demon princess to do?

This teen novel his well written, has a great plot and was thoroughly enjoyable to read.

Nikki's mom is on marriage number 4 and has dragged her daughter from sunny California to rather frosty Ontario, Canada. For once she's managed to become friends with the most popular girl in school and when her secret crush, Chris, asks her to the Winter Dance, Nikki's world seems to be absolutely perfect. Well, at least until a cute looking stranger tells her she's a Demon Princess, the heir to the Shadowlands and her father, the man who left her mother before she was even born, is dying. Talk about a shock to the system!

At first Nikki is not prepared to belive, but finally she follows Michael and meets her father. It is a bitersweet encounter, knowing there's not much time. Nikki also meets her aunt, who's looking after her father and who's prepared to take on the burden of becoming Queen of the Shadowlands once Nikki abdicates and returns to her normal life. But Nikki's getting fed up with everybody telling what she "has" to do and decides to maker her own decisions. But they may not turn out quite as she'd anticipated...

Knife-wielding Demon assassins, a Shadow Prince Nikki's supposed to stay away from, new Darkling powers coming online, a boyfriend who may be a total jerk and a best friend who may be a Demon Hunter; let's just say Nikki has her hands full.

I really enjoyed reading "Demon Princess". Michelle Rowen throws a few twists into a familiar story line and Nikki is a believable and engaging character. I found myself cheering her on when yet another adult told her just what she "HAD" to do to make their lives easier.

"Demon Princess" is a well written teen novel and the fist in a new series. It is out now. Click here to go to Michelle's website.

The Good, the Bad and the Swedish: The Best and Worst Screen Adaptations of Horror Novels

We are so pleased to host Carly Bennett as part of our October Monster Mash Up. We borrowed her from the ever popular Luisa over at Chicklish. Find out more about Carly at the bottom of the post.

There are good and bad film adaptations of every genre of literature but horror seems to be the most popular for literary remakes. In this post I want to explore the five best and worst transitions from book to screen, while talking about my favourite genre, horror.

The good...

5. The Exorcist (1973)
4. Silence of the Lambs (1991)
3. Carrie (1976)
2. Misery (1990)
1. Dracula (1931 onwards)

Honourable mention (for Mia Farrow’s legendary haircut alone): Rosemary’s Baby (1968)

So why are the good so good?


I think one of the main reasons I love these five films so much is that they play up to our psychological fears. They’re the kind of films you’re left thinking about for days after, they don’t rely on cheap shocks or gore to scare the audience. If you look at the five books their villains are terrifying because of the mind games they play with their victims, because they’re so mentally unhinged it’s horrifying to watch them unravel.

Another thing these films have in common is that they’re all brilliantly acted by actors who really care about the genre. I don’t think anybody will ever forget fourteen year old Linda Blair’s oustanding performance as possessed child, Regan McNeil, in The Exorcist. It was after watching The Exorcist for the first time that I really became fascinated by adaptations. I’d have no idea that the film was based on a book and once I read William Peter Blatty’s classic, I was hooked. Soon after that I began to devour Stephen King’s works and there was no going back.

Linda Blair wasn’t the only actor who sealed her success in an adaptation. What about Christopher Lee and Bela Lugosi, who both ruled the silver screen through their timeless portrayals of Dracula? Sure, vampire’s may be the latest trend in horror and I know of many, many people who are sick to death of the Twilight phenomenon but, honestly, when the original story is so utterly captivating, who can blame the hundreds of directors who wanted to cash in on a bit of vampire magic? Dracula may be one of the most famous examples of a book to film adaptation that works. Sure, there are a few dud films but when vampire films are good, they’re outstanding.

All of the books I’ve mentioned above are driven by strong, memorable characters who work exceptionally well on the big screen. Is there a horror villain more memorable (and strangely charming) than Hannibal Lector? I don’t think so. His first interview with Clarice Starling is a scene I will never forget and, for me, Silence of the Lambs is, perhaps, one of the only instances where the film’s strength actually transcends the book.

But what list of outstanding services to spook and gore is complete with a reference to horror overlord, Stephen King? There have been countless remakes of King’s tales of terror, ranging from the terrible (Firestarter) to the terrific (Pet Semetary) but just a handful of these adaptations do the books justice. In my opinion, two of the best are Misery and Carrie.

By this point I’m sure you’re all wondering why I haven’t mentioned the great enigma itself, The Shining. There’s nothing I can say to build upon what other people have already written, so, in short; Stanley Kubrick’s adaptation is flawless and its fame has almost overshadowed the book but I don’t think any director can summon the power on screen that King can create on a page.

So, what is it about Carrie and Misery that worked so well? Well, Carrie will forever have a place in my heart as the first horror movie I ever saw, at the tender (and perhaps slightly premature) age of nine. And Misery is a film I will always relish watching with first time viewers. If you can sit through the notorious hobbling scene without wincing once, I wholeheartedly applaud you.

And, really, let’s hear it for the girls. Sissy Spacek put in an unfogettable performance as troubled teen Carrie White (“They’re all going to laugh at you.” Terrifying) and Kathy Bates was indeed Oscar worthy as deranged Annie Wilkes. Never before have I been so scared of a nice farming lady and her ceramic penguin. Spooky.

And the bad...

5. The Stand (1994)
4. Salem’s Lot (1979)
3. It (1990)
2. Frankenstein (1910 onwards)
1. Flowers in the Attic (1987)

So, why are the bad so mind-numbingly awful?

Now, I enjoy a good, traditional splatterfest as much as the next horror enthusiast but there are some things I just can’t condone and a bad Stephen King adaptation is one of them.

Think you can take one of the most timeless stories of all time and turn it into a dreadful ABC miniseries? Not on my watch. I’m talking, of course, about the sorry 1994 adaptation of The Stand.

The book is regarded by many as a masterpiece of the genre but the adaptation has been hailed as ‘campy and mundane’ by one Internet critic, who also suggested the casting was so terrible that ‘the only character who was cast accurately was Kojak, the dog’. *Bianca, author of this review, generously rated the show 2/5. Many other critics were not so kind.

Watching The Stand is a woeful experience, especially if you’re a fan of King’s work and the epic run time of 366 minutes really doesn’t help matters. That’s the thing with horror, it can’t be dragged out for too long. You need smart, snappy screenplays that cut to the chase and keep you gripped from start to finish. Of course, we need time to bond with the characters but the films on this list manage to neither charm nor hold anybody’s attention and, unfortunately, The Stand isn’t the only disappointing King adaptation, not by any stretch of the imagination.

Let’s examine exhibits 3 and 4, namely, Salem’s Lot and It. Let me start by saying that I absolutely adore both of these books. I really do, they’re two of my all time favourites and I really did try to enjoy the adaptions.

Let’s start with Salem’s Lot. Ah, a good old vampire story. Like I mentioned earlier, there are many brilliant vampire adaptations; there are also many shoddy efforts and, sadly, this falls into the latter category. King’s novel had a host of quirky characters who helped bring the story to life and there’s a terrific social commentary running throughout the book. These little details were missing in the miniseries, which relied too heavily on visual scares and tense moments, which never quite made me jump.

Then there’s It. It is probably my favourite Stephen King story of all time and when I heard there was a miniseries lurking in the back shelves of HMV, I had to see it. I shouldn’t have bothered. I cannot even begin to list the reasons you should avoid seeing this terrible piece of cinema. I have nothing good to say. Well, perhaps Pennywise is a bit creepy. I’d say more pervy than anything. Either way, not good.

Onto my penultimate choice. Flowers in the Attic is a good film and I did enjoy it. However, it wasn’t until I read the book years later that I realised what I had been missing. The incest and the Nazis; God, I’d been blissful in my ignorance.

Rather than the filmmakers and actors, I think the people to blame for this are those who work at the censorship board. Yes, Flowers in the Attic is not the most pleasant bedtime story, yes, it deals with things that might make the general viewing public uncomfortable but it’s briliantly written and the message is lost in the Hollywood adaptation that shies away from the difficult subject matter dealt with in the books.

I urge you, read this moving series of books before you watch the film; it will make the whole experience a lot more powerful. Although, I must point out that the fantastic “Eat the cookie!” moment will stay with me forever.

So, this brings me onto our final film on the list. It’s arguably the most famous of the bunch and may possibly have spawned even more remakes than Dracula. It is, of course, Frankenstein.

Now, Mary Shelley’s classic is not exactly light reading but it’s a harrowing story of love, isolation and man’s dangerous thirst for knowledge and power. Shelley’s novel has been described as the first of the ‘mad scientist’ genre and it is stunning reading. Sadly, the vast majority of Frankenstein films are made up of emotionless monsters with cardboard box feet and crazed scientists who trill “It’s alive!” at every opportunity.

The magic of Shelley’s novel was lost by the wayside many decades ago and there doesn’t seem to be any hint of a decent Frankenstein adaption on the horizon. Never fear though, once vampires have had their day, perhaps it will be the turn of the lonely monster and his reckless creator.

I also want to mention a few foreign adaptations that I feel are often overlooked in these lists. Of course there are the Asian frightfests: The Ring, Old Boy and Battle Royale, to name a few. But I really want to draw your attention to, what I believe is, the best horror film of this year. Let the Right One In is an adaptation of the Swedish novel of the same name and I was astounded by both book and film.

As I said before, vampires are all the rage but Let the Right One In manages to refresh a tired stereotype and I literally couldn’t take my eyes off of the film. It’s visually stunning and the story works just as well on screen as it does on paper. If you watch any film or read any book I’ve mentioned in this list, please make it Let the Right One In. I’ve heard horrible rumours there’s an American remake coming up (somebody even uttered the words ‘Miley Cyrus’), which already has me cringing.

So, with The Vampire’s Assistant and New Moon soon to be upon us the idea of novel adaptations is showing no signs of slowing down. I hope this list of the good and bad has made you think a bit more about adaptations. Some of them are brilliant, some of them are truly awful but as long as books are still serving as inspiration to those around us, that’s enough for me.

Carly Bennett

(*Bianca’s review of The Stand can be viewed here.)

About Carly Bennett

Carly is a 21 year old Creative Writing student at Bath Spa University. She's just about to graduate (which is utterly terrifying) and move into a swanky house in Bath with my boyfriend, Mark, and dear pal, Holly. She's hoping to make it, at some point, as a novelist or travel writer and her blog (here) chronicles her journey into the world of writing. Scary.

Trick or Treat by Sally Anne Morris

Synopsis:

Ever thought you were hearing voices in your head? Welcome to Lucy Diamond’s world... Nothing seems out of the ordinary about Lucy. Well, not until she starts hearing the voices of grumbling ghouls from beyond the grave. Hippie-mom Jasmine arranged for Lucy to develop the Gift and unlike the other presents of vegan cookbooks and tie-dye blouses, this one Lucy can’t return to the store. The Dead aren’t going anywhere until she sorts out their problems. But how can she be expected to deal with the lives of those in Limbo when she can’t even manage her own?

Perfectly timed for Halloween this light hearted romance is a sweet, clever and quirky treat to indulge in. Poor Lucy Diamond - she is merely another drudge in an office full of drudges. She has the glamourous friend JoJo who does "something" in publishing and the obligatory gay male friend, Nigel, who is more than just a little self-obsessed and more than just a little unhappy with how dull his life has become.

That is until JoJo and Nigel rally around Lucy when she starts having episodes of seeing dead people, talking to them and arguing with them - not just on the underground whilst commuting to work but also in her tiny flat above a shop in N17.

Things are pretty scary sounding for Lucy, actually - she's doubting her sanity, her mum, a flaky hippy living in a commune in Wales is no help, gushing that this is her birth gift eventually coming to the fore, her friend Nigel is somehow making everything about him and dammit, the dead just won't stop talking to her. Even attending a show where a world-renowned spiritualist is in attendance turns into a disaster as Lucy realises that she would get no help from the woman who can quite clearly not see anyone apart from her studio audience.

Trick or Treat comes as a pleasant surprise. I adore the cover, of course, and the people at Little Black Dress Books have yet again gone out of their way to publish a very sweet novel about friendship, communication, mis-communication, the supernatural and the downright odd.

Sally Anne Morris's writing is just plain good fun - her touch is light and her overall tone in the novel is a little bit Sir David Attenborough as she relates who Lucy Diamond is, who her friends are and her odd relationship with her "out there" mother.

A pivotal role has to go to Lucy's grandmother who, after Lucy runs to her in the depths of despair, convinced that she's going insane, tells her quite calmly that yes, her gift for seeing and speaking to the dead is a hereditary thing...Lucy baulks, stunned that her grandmother who is the world's most practical and steady person can drop a rock in her lap like that without warning.

Like in Girl from Mars, my first LBD Book, I was amazed by the character development and overall story progress in Trick or Treat. For a tiny book (311 pages) it packs a lot of whallop. If I worked in a bookshop I would file Trick or Treat in two places: romance (of course) but also paranormal / urban fantasy because Lucy may not realise it but she is pretty kick-ass. She's a medium with a can-do attitude and a genuinely sweet and giving heart. Not every single situation she gets herself into pans out well and she deals with that competently and bravely.

Trick or Treat is a definite must read for October and come December, it will make a perfect stocking filler indulgence. It will be the perfect antidote to too much sweet, delivering a kick and a punch and a little bit of bite. The romance is handled very lightly (with one section so funny I scared the life out of my receptionist as I chortled over my lunch whilst reading it) and with a wry tongue in cheek.

Sally Anne Morris writes well and I'm looking forward to more of her novels. Trick or Treat is out now from Little Black Dress books.

Matt talks braaaains...uhm, zombies

I love the fact that we have this reservoir of untapped talent we can call on to talk to us about all manner of weird stuffs. In this instance, Matt (THE Teen Librarian) chats about Zombies.

When there is no more room in hell, the dead will walk the earth

In extreme circumstances, the assailants can be stopped by removing the head or destroying the brain. I will repeat that: by removing the head or destroying the brain.

It shall also be qualified as attempted murder the employment which may be made against any person of substances which, without causing actual death, produce a lethargic coma more or less prolonged. If, after the person had been buried, the act shall be considered murder no matter what result follows. Article 249 of the Haitian Penal Code

Liches, Revenants, Undead – they have many names but none more chilling than Zombie.

The first zombie-related book I can remember reading was a collection of short stories called Zombie edited by Peter Haining, it was published in 1985 so I would have been about 11 or 12. These stories (or the ones that I can still remember) focused on the traditional zombies of Voodoo myth, the dead raised up to do the bidding of their masters, it was in this book that I learned that salt would send a zombie back to its grave. On the strength of Zombie I purchased the novelisation of Dawn of the Dead by George Romero. I can still remember the cover – it was black and white with the title in blood red, it gave me nightmares.

After that zombies sank into the background, they were always in the movies with George Romero tinkering away at what he is best known for and the remakes of the first films that introduced running zombies – totally going against the accepted view of the undead as shambling, unstoppable monsters.

I think that zombies are the most horrific in the pantheon of monsters we know. With werewolves we can remember the words: Even a man who is pure in heart, and says his prayers by night, can become a wolf when the wolfbane blooms, and the autumn moon is bright. They can be stopped with wolfsbane and silver, they can even be cured. Vampires are either tragic or evil but still operating to rules we can understand.

Then we come to zombies: they are pitiless, unstoppable and can look like our best friend, our dearest love, but their hunger is insatiable.

The first zombie-related book I read this year was the excellent Forest of Hands and Teeth by Carrie Ryan, set in a post zombie-apocalypse world it shows how humanity has adapted to survive in a world where they are surrounded by what they now call the Unconsecrated.

Closer to home are The Beautiful Dead a new series by Eden Maguire, the first two books Jonas and Arizona are out now. These books have a totally different slant on the undead, not the mindless revenants of myth, they are returned to find out why and how they died. Aided by Darina, their schoolmate and only person alive that knows that they have returned. The Beautiful Dead mixes mystery, murder and melancholy with themes of love and loss.

The Zombie Survival Guide and World War Z by Max Brooks detail how to survive zombie attacks and what happened during and after the Zom-pocalypse. Charlie Higson brings zombie terror to the streets of London with The Enemy - the first in a new series of novels about a world where everyone over the age of 14 is dead or a zombie hungry for the flesh of a the young.

In the 1970’s when the film Dawn of the Dead was released, zombies were a satire on the mindless consumerism of the people that flocked mindlessly to America’s shopping malls. These days the consumerism is still there but zombies can be seen more as a metaphor for the credit crunch, it was a long time in coming but almost everybody was affected (infected).

Nobody knows where or how the Undead plague started but with the current crop of books rising from the dead I know one thing -no matter how far we travel we are never alone for the dead travel with us!

Celebration Time with Angry Robot

If you follow me - LizUK - on Twitter, you'll know that I've been raving about Mike Shevdon's urban fantasy offering: The Sixty One Nails these past few days. My new obsession clearly impressed (or scared, I'm not sure) Lee and Marc at Angry Robot and they approached us to run a fantastic competition.

To celebrate the publication of The Sixty One Nails (next week) Angry Robot are offering up the following competition:

One winner will win ALL of these lovely books:

Moxyland
Slights
Nekropolis
Book of Secrets
Angel of Death
Kell’s Legend
Winter Song
Triumff: Her Majesty’s Hero
Sixty-One Nails

How do YOU win all these cool books? Well, for a change we've come up with a challenge (insert evil manical and robotic laughter): write a 4 line poem about Angry Robot, it's authors or its books. Email your entry to us at: myfavouritebooksatblogspot(at)googlemail(dot)com. The competition is open WORLD WIDE. The competition will run for ONE week, closing date for entries will be Friday, 30th October. The winning entry will be chosen by us, then published here at the blog and it will also appear on the Angry Robot website. Lee and Marc will package the books and send it off to the lucky winner.

So, get thinking and enter the competition!

Monster, monster, in the wall, who's the scariest of them all?

As part of our "Monster Mash Up" I've invited Mark Chitty, he of the pretty cool Walker of Worlds book blog review site, to pop by and talk to us about them there critters. And he's complied. Result!

Mark says:

I'm a big fan of anything monster related, from comics to books to movies, although the latter is definitely going to be the one that most people identify with. Whether you're a fan of Godzilla, Alien, Zombies or something a little different, the monster genre has something for everyone.

One of the first things that comes to mind for me is Freddy Krueger and the Nightmare on Elm Street films. I know these aren't strictly monster movies - at least in the traditional sense - but there's something monstrous about the idea of not being safe in your dreams that got to me and scared me half to death when I was a kid - I still struggle to watch the films and then get some sleep afterwards. Despite this I've got a fondness for monster movies that has stuck with me ever since.

I was never one to go for the old style Godzilla type movies when it came to choosing something to watch, I much preferred going for what was around at the time, although I was mainly subjected to whatever my brother and cousin decided we were watching - the gorier the better! Some that spring to mind are films like Critters, Gremlins, C.H.U.D., The Blob, Leviathan, Aliens, Predator and Ghoulies. Since those early days I tend to watch pretty much any monster movie I see on TV, although the acting can get pretty dismal in some of todays 'B' movies.

I can't miss this opportunity to tell you about some of my favourite monster movies and series, some of which are extremely worthy of you time!

The Alien films

The absolute classic alien monster film. This not only gave us an iconic monster that has endured for 30 years, but took the basic 'b' movie idea and raised it to play with the big boys. The first film was pretty much a straight monster movie and when it was released there were people running out of the cinema screaming and puking because of the infamous chest-buster scene. Aliens took a different apporach which added so much to the mix while the last two films were more of the same rather than too much new, but still worth a watch.

The Evil Dead films

Evil Dead is one of the best monster movies ever. Not only do you get the undead, you also get Ash, the best everyday hero you'll ever meet in a monster film. The first two films are more serious while the third, Army of Darkness, gives a more slapstick approach that is simply classic. The one-liners that Ash comes out with are brilliant:



The Tremors films

Perhaps not the most popular of franchises, especially as the films start a downward slide after the first, but Tremors is a great monster movie. It's got a secluded town, undergraound monsters and a guy that loves his weapons - an excellent combination. While each film adds to the mythology of the Graboids, once you get to the third and an evolution of them is names 'Ass Blasters', you know the series has seen it's day. Still, as it goes with a lot of cheesy films, I just can't help myself.

They're my favourite monster movies - what are your favourites?

Liz says: I have a confession: I have never ever watched a Nightmare on Elm Street movie. Ever. Oh, I know how it goes etc. but have never felt that I wanted to watch.

I luuuurve scary movies. Is that me being a bit Addams family?

Favourites are things like The Excorcist, Prophecy and Fallen. Hmmm, religious undertones there...quick, let me think of others: Arachnaphobia - oh little green apples of doom, this movie did so much to hype up my paranoia about spiders, you have absoloutely no frigging idea. Another favourite is: American Werewolf in London and Wolf with Jack Nicholson. Oh, as is The Village and Sixth Sense and Others - all by that man with the unpronouncable name: Night M Shyamalan. I also have great affinity for From Dusk till Dawn, John Carpenter's Vampires and Interview with a Vampire. But I would think that there are two movies, quite recently made, which I utterly love for no other reason than they freak me out and mess with my imagination:

Dog Soldiers - Tagline: Six soldiers. Full moon. No chance.

I have watched this flick so many times. It never fails to freak me out. I've sworn off any kind of camping, especially in Scotland. Admittedly the wolves at the end aren't that scary but it's how much is implied that gets me. That and the fact that they are consorting with the enemy whilst hiding from the wolves outside. Everything about this movie works so well. I love it to bits and it has some of the best dialogue ever!

Cooper: Go on then Bruce, what scares you?

Bruce: The self-destructive nature of the human condition.

Spoon: You're just taking the piss now.

Cooper: What about you, Spoon?

Spoon: Castration.

Cooper: There's no argument there. Joe?

Joe: Only one thing guaranteed to put the shits up me: a penalty shoot-out.

Cooper: Figures. Terry?

Terry: Watching a penalty shoot-out... with Joe.

Bruce: What about you, Coop?

Cooper: Spiders. And women. And... spider-women.

Twenty Eight Days Later - Tagline - His fear began when he woke up alone. His terror began when he realised he wasn't.

Twenty Eight Days Later is just blindingly scary. There is the element of Resident Evil (hmmm, Alice) when Jim wakes up in the movie and he is utterly alone. As he wanders through the streets of London as the sun rises, the devastation becomes apparent. No one is on the street. The whole place is deserted. He walks through places and areas I know so well, having walked them these past ten years and it's so quiet, Christmas morning quiet. He slowly comes to realise that things are not normal. For a movie that starts off with this ominious quiet, there is a lot of show not tell which I admire greatly. Then all hell breaks loose and Jim, Selena, Hannah and Frank jump in their car and they haul butt out of London, going north, hoping that the infected have died. Which is where hell takes a sidestep and the abyss looms. This flick just "wins" so much admiration from me - I'm a complete geek fan! Fantastic stuff.

So, that's me for now. Now, anyone else? What's your favourite scary movie - be it monstrous or not?

**Merlin - Signing News and Competition**

I did a tiny happy dance on the train this morning when an email came through to me from Random House with some news.

And being the benevolent blogger that I am, I am of course sharing it with you! And because I love giving stuff away, there's a competition too!

Forbidden Planet (London, Shaftesbury Avenue) is hosting a "Meet the Stars" of the smash hit BBC series 'Merlin' on Saturday 31st October 3 – 4pm.

Bradley James (Arthur) and Angel Coulby (Guinevere) will be signing The Adventures of Merlin: The Official Annual and The Adventures of Merlin: Complete Guide plus a full range of other Merlin titles.

Bradley James is a relative newcomer to television but has managed to make his mark in each role he has taken on. He made his television debut in the ITV series Lewis in 2008, in a recurring role opposite Kevin Whately and Laurence Fox, before moving onto Shine’s teen drama Dis/Connected on BBC Three. Bradley’s passion for sports, including football, athletics and cricket, has helped him in his physically demanding role as a young Arthur in Merlin.

Angel's impressive credits include Doctor Who, Life is Wild, Hustle, Tripping Over, Making Waves, International Emmy nominated crime drama Vincent, and BBC medical dramas Holby City and Casualty. Angel also featured in the BBC Three sitcom The Visit. She has worked with Shine before, on teen drama As If. Angel was a member of the National Theatre, and performed in productions including The Statement of Regret and The Importance of Being Ernest.

Competition Time:

Read this carefully because if you don't comply, you will be disqualified.

There can be only ONE winner, this one winner will receive TWO copies of Merlin Books, plus either The Official Annual OR a Merlin Activity Book.

The winner will also be entered into a prize draw out of ALL the winners from various sites to win a SIGNED copy of a book.

How cool is that?

The rules are:

• One winner wins the above prize and will be entered into the overall prize draw.
• UK entrants only
• Email us at our usual address: myfavouritebooksatblogspot(at)googlemail(dot)com
• You have to send in your name AND address this time around - also, if you're on Twitter let us know and we can follow you back if we don't already. The postal address will ensure swift delivery of your winnings.
• Closing date: 26th October - it's a short lead time, but this is to make sure that if you did want to come to the London signing, you may have the books in time for that.

Good Luck!

Spook's Apprentice by Joseph Delaney

Synopsis:

A terrifying series about a young boy training to be an exorcist. Thomas Ward is the seventh son of a seventh son and has been apprenticed to the local Spook. The job is hard, the Spook is distant and many apprentices have failed before Thomas. Somehow Thomas must learn how to exorcise ghosts, contain witches and bind boggarts. But when he is tricked into freeing Mother Malkin, the most evil witch in the County, the horror begins . . .

What struck me the most about The Spook's Apprentice (another recommendation from Year 7's at Oak Lodge Primary) is that the author genuinely doesn't care how scary he's being in this story. Also, his use of language is extremely mature. I fully expected something twee, something Disneyesque and am so grateful that I am wrong.

When we are introduced to Thomas and we quickly discover that he's that little bit different from the rest of his family, probably more like his (mysterious) mother than his father, who is a hard working farmer with a serious disposition who seems a bit bemused by his youngest son.

Events unfold quickly - Thomas sets off with the Spook and soon we realise that the Spook, for all the good he does the countryside keeping it clear of weird critters, is seen as a necessary evil. He has acquaintances but apparently no friends and Thomas struggles to come to grips with the fact that should he one day take over from the Spook, he would be shunned by his family and have little or no friends himself.

It is a harsh reality, one of many. The Spook's character was a revelation to me - here was a fully fledged 3D character and not just a mysterious tutor who said cryptic and mystical things, letting poor Thomas figure it out himself. Written with a sly sense of humour and coming across as likeable, the Spook is someone you would want to know, not just to clear some boggarts from your cellar, but someone to talk to and understand.

Thomas spends a lot of his time swotting up on boggarts, witches and other unlikely beasties, whilst receiving hands-on tutoring from the Spook himself. The Spook is very careful to explain to Thomas how things are done, especially when it comes to dealing with witches. Armed with all this new knowledge, Thomas is still tricked into freeing one of the most evil witches the County has ever seen, Mother Malkin. It's up to Thomas to fix what he's let out and it's a hair raising adventure, to say the least.

I was strongly reminded of Robin Hobb's writing (for older readers who know this excellent author's work) and I couldn't help but be carried away by the story and the characters. Thomas is likable and intelligent but not irritatingly precocious. We have empathy for his situation and can easily see what his motivations are. I always think that when you start shouting directly at a character in a book "don't do it!!", that the author's done his / her job well in involving you with the story.

The Spook's Apprentice is a pretty wild ride - in fact, it's a more than just a bit scary. The language is quite mature and the author expects you to keep up with the plot and the Spook's explanations and adventures. I would definitely recommend this, especially for reluctant readers. It may be slightly challenging but to be fair, so much goes on, that it would be unlikely that they notice how much they've read!

Find the wonderfully creative website for the Spook Books here - the site also links to the author's site and the upcoming movie site. There are several books out in this series, with Spook's Apprentice being the first. And I've had it on good authority that these just become better and better...

The Harrowing - Alexandra Sokoloff

Baird College’s Mendenhall echoes with the footsteps of students heading home for Thanksgiving break and Robin Stone, who won’t be going home, swears she can feel the creepy, hundred-year-old residence hall breathe a sigh of relief for its long-awaited solitude. As a massive storm approaches, four other lonely students reveal themselves to Robin: Patrick, a handsome jock; Lisa, a manipulative tease; Cain, a brooding musician; and Martin, a scholarly eccentric. Each has forsaken a long weekend at home for their own secret reasons.

The five unlikely companions establish a tentative rapport, but they soon become aware of another presence disturbing the building’s ominous silence. Are they the victims of an elaborate prank, or is the energy evidence of something genuine - something intent on using them for its own terrifying ends?

There's nothing quite like the inherent creepiness of a large, dark building when you're all alone.. when you sit there convincing yourself that the creaking noise behind you is simply the house 'settling for the night'.. that the movement you just caught out of the corner of your eye was really the cat coming in.

Now hold that feeling, and transpose it to a motley collection of college students marooned in an otherwise empty residence, watching as a storm rages outside, the only consolation the fire licking away in the fireplace. It's a classic setting, and a ripe environment for what the old ouija board unlocks.

It takes a couple of chapters for the story to find its stride, but after this initial stutter, it all starts to come together much more fluidly. The characters are a bit archetypal, but their interactions hold up enough to compensate for this. The chill factor is always there, lurking in the background, gathering itself for the moment when it slips its mask and, like the characters, you realise that things are not quite what you thought they were.

It's a truly interesting hook that Alexandra has used as the core premise of the story, a little nugget that makes you think, an echo of the story that bounces around in your thoughts long after you've slid the book back onto the shelf.

**Evermore Winners**

With the help of the very reliable Random.org I chose our FIVE winners from our stack of entries to each win a copy of Evermore by Alyson Noel.

They are:

14. Ailsa F
4. Natalie P
5. Joanne G
12. Andrea C
10. Sherie B

All of you have been emailed. Please send me your address details asap so that I can forward it onto Alyson's UK publishers, Macmillan. A big thanks to everyone who entered. My poor inbox thanks you too! And an even bigger thanks goes out to the team at Macmillan for letting me run this comp.